Recitative:

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Le nozze di Figaro (The Marriage of Figaro), K. 492: Act III Scene 10: Recitative: Piegato e il foglio (Susanna, La Contessa) - Elisabeth Söderström&Lisa della Casa

Don Giovanni, K. 527: Act II: Recitative: Dunque quello sei tu (Zerlina, Elvira, Ottavio, Masetto) - Graziella Sciutti&Leontyne Price&Cesare Valletti&Rolando Panerai

Cantata No. 147, &aposHerz und Mund und Tat und Leben&apos BWV147 (1995 Remastered Version), PART 1: Recitative: Verstokkung kan - Dame Joan Sutherland&Helen Watts&Wilfred Brown&Thomas Hemsley

Part II: Recitative: Sie schrieen aber noch mehr (Evangelist) - James Gilchrist&Richard Egarr

Meine Seel erhebt den Herren, BWV 10: Recitative: Was Gott den Vatern alter Zeiten (Tenor) - James Gilchrist

Act III Scene 10: Recitative: Piegato e il foglio (Susanna, La Contessa) - Elisabeth Söderström&Elisabeth Schwarzkopf

Nabucco: Act I: Recitative: Guerrieri, e preso (Abigaille, Fenena, Ismaele) - Margherita Roberti&Miriam Pirazzini&Gastone Limarilli

Act III, Scene 1: Aria: "Sold! Annoyed!" - Recitative: "Now What Was That!" - Duet: "You Love Him" - Bal - Igor Fyodorovich Stravinsky

Messiah, HWV 56: Part I: Recitative: There were shepards abiding in the field (Soprano) - Julia Doyle

Don Giovanni, K. 527 - Act II Scene 5: Recitative: Zitto, lascia ch&aposio senta (Don Giovanni, Masetto, Zerlina) - Cesare Siepi&Walter Berry&Rita Streich&维也纳爱乐乐团

Handel: Messiah / Part 3 - 47. Recitative: Then shall be brought to pass / 48. Duet: O death where is thy sting? - Brian Asawa&John Mark Ainsley&Les Musiciens du Louvre&Marc Minkowski

Cantata, BWV. 147, "Herz und Mund und Tat und Leben" - Part 1: IV. Recitative: Verstockung kann Gewaltige verblenden (康塔 - Bach Collegium Japan&Masaaki Suzuki&Peter Kooij

Il rè pastore, K. 208: Act II Scene 7: Recitative: Uscite, alfine uscite (Agenore) - John Mark Ainsley&Sarah Fox&Ailish Tynan&Anna Devin&Benjamin Hulett&Orchestra of Classical Opera&Ian Page

Es ist euch gut, dass ich hingehe, BWV 108: Recitative: Dein Gesit wird mich also regieren (Tenor) - James Gilchrist

Non sa che sia dolore, BWV 209: Recitative: Tuo saver al tempo - Mojca Erdmann&Kiyomi Suga

Recitative: Wohlan, so knupfet denn ein Band (Soprano) - Hana Blazikova&Bach Collegium Japan&Masaaki Suzuki

Il rè pastore, K. 208: Act II Scene 3: Recitative: Per qual ragione resta il re (Alessandro, Aminta) - John Mark Ainsley&Sarah Fox&Ailish Tynan&Anna Devin&Benjamin Hulett&Orchestra of Classical Opera&Ian Page

Messiah, HWV 56: Part II: Accompanied Recitative: All they that see Him laugh (Tenor) - Andrew Staples

Act I Scene 4: Recitative: What mean these doubtful fancies (Jephtha) - John Mark Ainsley

Alexander&aposs Feast, HWV 75: Part I: Recitative: &aposT was at the Royal feast, for Persia won (Tenor) - Benjamin Bruns

Don Giovanni, K. 527: Act I: Recitative: Io deggio ad ogni patto (Leporello, Giovanni) - Walter Berry&Eberhard Waechter

St. Matthew Passion, BWV 244b (early version): Part I: Recitative: Da kam Jesus mit ihnen zu einem Hofe (Evangelist, Jesus) - Charles Daniels&Peter Harvey&Bethany Seymour&Sally Bruce-Payne&Joseph Cornwell&Helen Neeves&Nancy Cole&Julian Podger&Matthew Brook&Johnny Herford&Bethan Thomas&Yorkshire Baroque Soloists&Peter Seymour

Infirmata, vulnerata: Recitative: O care, o dulcis amor - Il Ruggiero

St. John Passion, BWV 245: Part II: Recitative: Spricht Pilatus zu ihnen (Evangelist, Pilatus) - Julius Patzak&Walter Berry

Liebster Immanuel, Herzog der Frommen, BWV 123: Recitative: Die Himmelssussigkeit, der Auserwahlten Lust (Alto) - Sally Bruce-Payne

Handel: Saul, HWV 53 / Act 2 - 43. Recitative: Ah! dearest Friend - Ryland Davies&English Chamber Orchestra&Sir Charles Mackerras&Kenneth Sillito

Ihr werdet weinen und heulen BWV 103 - Appendix: Recitative: Wer sollte nicht in Klagen untergehn - Ton Koopman&The Amsterdam Baroque Orchestra&Deborah York&Lisa Larsson&Bogna Bartosz

Act IV Scene 5: Recitative: Come on, Siebel, I need a drink or two! (Valentin, Siebel, Mephistopheles, Faust) - Garry Magee&Diana Montague&Paul Charles Clarke&Alastair Miles

Am Abend aber desselbigen Sabbats BWV 42: Recitative: Am Abend aber desselbigen Sabbats - Ton Koopman&The Amsterdam Baroque Orchestra&Deborah York&Lisa Larsson&Bogna Bartosz

Act I Scene 16: Recitative: Masetto, senti un po! (Zerlina, Masetto) - Walter Berry&Rita Streich

Il rè pastore, K. 208: Act II Scene 1: Recitative: Questa del campo greco e la tenda maggior (Elisa, Agenore) - John Mark Ainsley&Sarah Fox&Ailish Tynan&Anna Devin&Benjamin Hulett&Orchestra of Classical Opera&Ian Page

Messiah: Part the Third: No. 47 Recitative: Behold, I tell you a mystery - Robert Shaw

Schau, lieber Gott, wie meine Feind, BWV 153: Recitative: Du sprichst zwar, lieber Gott (Tenor) - James Gilchrist

Act II Scene 3: Recitative: Let me not another moment bear the pangs of absence (Semele, Jupiter) - Sheila Armstrong&Robert Tear&English Chamber Orchestra&Johannes Somary

Act III Scene 3: Recitative: Rich odours fill the fragrant air (Juno, Semele) - Sheila Armstrong&Helen Watts&English Chamber Orchestra&Johannes Somary

Act II Scene 4: Recitative: Dear sister, how was your passage hither? (Semele, Ino, Chorus) - Sheila Armstrong&Helen Watts&Amor Artis Chorus&English Chamber Orchestra

Erhalt uns Herr bei deinem Wort BWV 126: Recitative: So wird dein Wort und Wahrheit offenbar - Ton Koopman&The Amsterdam Baroque Orchestra&Deborah York&Lisa Larsson&Bogna Bartosz

Act I Scene 1: Recitative: Ah me, ah me! What refuge now is left me? - Aria: O Jove! In pity teach me which to choose (Semele) - Sheila Armstrong&English Chamber Orchestra&Johannes Somary

Recitative: Mein Gott, verwirf mich nicht (Tenor) - Robin Blaze&Peter Kooij&Gerd Turk&Bach Collegium Japan Chorus

Act II Scene 6: Recitative: Ola! Queste superbe memorie (Berenice, Tamiri) - Delphine Galou&Sonia Prina&Michele Tazzari&Simone Vallerotonda

Ottone in Villa, RV 729: Act I Scene 10: Recitative: E Caio aborriro per fin ch&aposio viva? … (Hold Caio in abhorrence for as l - susan gritton&monica groop&Nancy Argenta&Mark Padmore&Sophie Daneman

Handel: Semele, HWV 58: Act II: Recitative: Now all this scene - Alexander Weimann&Karina Gauvin&Tempo Rubato

Act II Scene 11: Recitative: Dove mai ti trasporta (Selinda) - Loriana Castellano&Michele Tazzari&Simone Vallerotonda&Giulia Nuti

Apollo e Dafne, HWV 122: VIII. Recitative: Che crudel! (How cruel!) (Apollo, Dafne) - Nancy Argenta&Michael George

Act I Scene 14: Recitative: Come ben fa veder la donna eccelsa (Pompeo) - Emanuele D&aposAguanno&Michele Tazzari&Simone Vallerotonda&Giulia Nuti

Il martirio di St. Cecilia: Part I: Recitative: Sconsigliata, a che resti in queste soglie (Nutrice, Cecilia) - Marinella Pennicchi&Nancy Argenta

Recitative: Wie? Schonste Gottin! Wie? (Tenor) - Robert Worle&Virtuosi Saxoniae&Ludwig Güttler

Ottone in Villa, RV 729: Act II Scene 7: Recitative: Che mai scrisse qui Caio? … (Whatever has Caio written here? … ) (Cleonilla - susan gritton&monica groop&Nancy Argenta&Mark Padmore&Sophie Daneman

Crudel tiranno amor, HWV 97: II. Recitative: Ma tu mandi al moi core (But you send my heart) - Nancy Argenta

Handel: Saul, HWV 53 / Act 1 - 6. Recitative: He comes - 7. Air: O Godlike Youth! - Sheila Armstrong&English Chamber Orchestra&Sir Charles Mackerras&Kenneth Sillito

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